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BEACH FOSSILS – AUGUST 12th

Monday, August 12th | 9:30 PM
Corigliano D’Otranto | Castello Volante
Ticket 28.75 euros
Presales available at Dice.fm and Ticketmaster.it

 

Bunny represents an extraordinary evolution of the Beach Fossils‘ sound over the years. The record draws elements from the jarring melancholy of What a Pleasure, the lush arrangements of ‘Somersault’, and the gritty, post-punk-inspired tracks of Clash the Truth. It contains the most vulnerable lyrics ever written by Dustin Payseur, who has chosen to be honest and offer a deep look into his emotional world. From touching words about a family member’s battle with cancer, to the joy of being a father, to the simple pleasure of smoking a cigarette out a car window with friends, this is the band’s most vivid and personal work to date. The Beach Fossils have been featured at major festivals such as Coachella, Bonnaroo, Primavera and Posty Fest, and have sold out headlining dates at Brooklyn Steel, The Wiltern and Thalia Hall. Their album The Other Side of Life: Piano Ballads reached No. 3 on the Billboard Traditional Jazz Albums chart. Recently, the band reached two million monthly listeners on Spotify and seven million total monthly listeners across all platforms. Bunny was released in June 2023 on Bayonet Records, an expanding indie label co-founded by Payseur in 2014.

 

 

 

 

 

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PARBLEU – AUGUST 13th

Tuesday, August 13th | 9:30 PM
Corigliano D’Otranto | Castello Volante
Ticket 20 euros
Presales available at Dice.fm and Ticketmaster.co.uk

An excursion of equatorial groove with the irresistible union of cumbia, psychedelic Afro-Caribbean rhythms and French-style retro style. These are Parbleu the project of Andres Balbucea and Andrea de Fazio and an enigmatic group of musicians, an eight-member multicultural combo in which energetic expanses of disco, futuristic funk and cinematic jazz fusion are flooded with warm vibes of Caribbean dub, Latin tropical and sunny afrobeat. Fresh from their participation in ESNS2024 on stage at the Gran Theatre in Groningen NL, they will return to play songs from the two albums‘Danse Cette Zik‘ and‘Elios‘ live.

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YĪN YĪN – AUGUST 13th

Tuesday, August 13th | 9:30 PM
Corigliano D’Otranto | Castello Volante
Ticket 20 euros
Presales available at Dice.fm and Ticketmaster.co.uk

 

YĪN YĪN are people who live the night, and their union starts right by co-organizing and sharing the console of many DIY parties. Before the band formed, no one had sought a conventional career or completed their studies. Their journey began when Yves Lennertz and Kees Berkers decided to record an audiotape outlining influences and references to the music of South and Southeast Asia. Once the artistic idea took shape, armed with a multitude of musical instruments in a rented rehearsal room near Maastricht, they recorded songs in three days with a couple of microphones. In doing so, they asked friends to help them with the work and have since become a full-fledged band with Remy Scheren on bass, Robbert Verwijlen on keyboards and occasionally Jerome Cardynaals on percussion. In early 2022 YĪN underwent a major line-up change when co-founder Lennertz left the band and was replaced by guitarist Erik Bandt. The new lineup brings a new energy to the band that will lead them to conquer stages throughout the European continent.

 

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MATERAZI FUTURE CLUB – AUGUST 15th

Thursday, August 15th | 9:30 PM
Specchia | Palazzo Risolo
Free ticket

Materazi Future Club is post-punk, distorting guitars, dancing and making people dance, making lo-fi the most beautiful sport in the world. “Materazi Future Club” was founded in 2020 by 3 roommates who decided to combine disco-punk music with the most famous interviews from the world of soccer, focusing on the poetry and naive romanticism of the latter. The project officially comes to life with the release of “De Rossi” by Woodworm Label, intriguing some of the most important music, soccer and fashion publications. In February 2020 on the occasion of MiAmi TVB, the band takes the stage for the first time, managing to make a Circolo Ohibò in Milan dance sold-out for the occasion. Two years of stop followed and the band decided to return to the stage only when the audience would have had the freedom to jump, and this happened in 2022 with, among others, live performances at Circolo Magnolia in Milan and the Farm Festival in Bari. In 2022 the band also touched the cities of Rome, Grosseto, Turin and Piacenza. The songs “Cassano” and“Gattuso” in 2021 were included by Spotify in the “Notti Magiche” playlist compiled for the European Football Championship 2021. In December 2022 they released their first album “Formazione Titolare” which intrigued and excited many Italian sports and music media. In 2024 they return with new music and new stories to tell, releasing the single “Dio Pedona Riganò”featuring Federico Russo, who anticipates the EP“Punkinari“, released in April 2024.

 

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I HATE MY VILLAGE – AUGUST 15th

Thursday, August 15th | 9:30 PM
Specchia | Palazzo Risolo
Free ticket

I Hate My Village band was born in 2018 from the meeting between Fabio Rondanini on drums(Calibro 35, Afterhours) and Adriano Viterbini on guitar(Bud Spencer Blues Explosion and many others). Brought together by their love of African music (both were touring with Bombino and Rokia Traoré) and curious about evolving its sounds, the two began rehearsing together and jotting down ideas and then recording with producer Marco Fasolo(Jennifer Gentle). At a later stage, the two involved Alberto Ferrari(Verdena) on vocals. Thus was born a new sound, unique in the Italian scene, which takes shape in the homonymous debut album I Hate My Village(2019, La Tempesta International). The album is enthusiastically received by the press and the public: to prove it, the numerous reissues of the album and the great success of the long tour that took them to stages all over the peninsula. Also in 2019, I Hate My Bonus Track was released, an Ep with three new songs and a live version of the single Tony Hawk of Ghana. In 2021 the band returns with a new Ep, Gibbone, and a remix of Tony Hawk of Ghana with Cal and Ice. On March 21, 2024, the band released a new single, Water Tanks, which is followed by Artiminime. The tracks anticipate Nevermind The Tempo, the new album released on May 17 by Locomotiv Records. Nevermind The Tempo is a kind of manual for getting it wrong. An ungrammatical record that seeks no grammar, chases no musical architecture but sketches a world that has no equal in our country’s musical landscape: crooked and distorted, visionary and magical, improbable and hallucinated, unmistakable and overwhelming. More than a world, the one created by I Hate My Village is a real universe, full of galaxies to explore: a free and liberating creative big bang traversed by unpredictable sound meteors, a hypnotic black hole to be sucked into. An album that is a eulogy of approximation as a response to our time’s nagging quest for perfection. It is the brilliant, wild and unabashed fusion of four artists who are very different but able to complement each other to perfection, in a natural and instinctive way, shaping a misaligned but meticulously assembled mosaic of sound, formed by imprecise pieces of surprising insights, irreverent combinations and contaminations that corrode any rule or pre-established balance. Nevermind The Tempo encapsulates the spirit and intentions that have animated the band since its founding in 2018: ten tracks that show how to travel through the sounds of Africa without sounding like a white tourist, how to creatively self-destruct, and how to make words and sounds transit, without paying too much attention to narrative, says Adriano Viterbini.

 

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SHEEBABA – AUGUST 22th

Thursday, 22th August | 21:30
Corigliano D’Otranto | Flying Castle
Tickets available at the box office

Sheebaba is an artistic duo composed of Eliott Eccho and Prof. Costello. They represent a true wave of experimental and conceptual art. They are strong, performative and embrace industrial failure. Their works are described as all the colors of the rainbow and they are a clear sign of resistance against hate.


“Radau” is their noisy but fun interpretation of the music that created them. This work follows “bruit” and mentions not only their musical origins, but also tells the story of their influences in a brutally honest way. Sheebaba, always searching for reinvention, face their daily struggles head-on, blurring the lines between personal pain and storytelling on stage. The process is loud, and that is what“RADAU” represents.

With “bruit“, the duo reveals a synaesthetic tonality that paints simple but irregular textures of industrial failure, fuzz and noise. Along the way, they synthesize textural and tonal fragments from a wide panorama of pop music history, film, and everyday life. Thanks this refreshing and multilingual juxtaposition, an enigmatic narrative mosaic emerges. Powered by the hard pressure of machines, their sound formations don’t escape the desire for an organic tone. Some tracks invite to walk along with them, while others give way to calmer melodic and vocal layers, only to upset these fragile tonal structures once again. “Bruit” offers a genre-bending proto-wave between kitsch and noise, pushing the listener with visions of a lost future.”

Since their live debut in the summer of 2021, Sheebaba have given concerts in Luxembourg, Germany, Switzerland, and the Netherlands, supporting bands such as Fatamorgana (ES), Henge (UK), Gustaf (US), Lathe of Heaven (US), and Das Kinn (DE). They have participated in performances in L’Aia, Amsterdam, Luxembourg, Lucerne and Mainz. In the summer of 2022, they performed at Amsterdam Fashion Week during Rosa Kampinga’s catwalk presentation, and they have participated in festivals and art spaces in Luxembourg and Mainz. In spring 2024, they embarked on a small tour with Swiss Drag Queen LaMer to promote the EP “radau,” released in April 2024. Both of singles of “radau”, “big bull” and “chambre rouge,” have been placed on Spotify’s official Fresh Finds GSA and Insomnia playlists.

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AGNESE CONTINI – AUGUST 29th

Thursday, August 29th | 21:30
Corigliano D’Otranto | Castello Volante
Tickets available at the box office

Dinamiche di volo” is Agnese Contini‘s first instrumental album, released last October (2023), in stores and digitally, produced by “Nos Records Label“, under the artistic direction of Amerigo Verardi (distribution “Believe Music Italia“). The release of the album – preceded by the first single of the same name – had been accompanied by the video clip of the song “Consapevole“, signed by director Piernicola Mele.

This last single tells of an introspective journey, that leads the listener to his or her deepest inner self, to arrive at a conscious knowledge of self. Agnese Contini explains, “When I started composing this song, the questions I asked myself most frequently were ‘How well do we really know each other ? How much do we respect each other?‘ Working on ourselves is not an easy task and contributing to our disorientation are the confusion of our lives, our dysfunctional thoughts and, very often, our egos. Knowing ourselves, instead, enables us to feel good about ourselves and others: to do it so, however, we need to change our perspective or to take a step back on our beliefs“.

Some of the tracks were embellished by the collaboration with Livio Bartolo (string and guitar arrangement), Matteo De Benedittis (piano), Feliciano Montagna (drums) and Stefano Compagnone (bass).

In April 2024, Agnese Contini released her new single, “Grandpa Cloud“. Published under the label “Inri Classic“, the new instrumental single, for now, is available in digital format. The single is a song with a delicate and ethereal sound: it tells about the author’s memories related to the maternal grandfather figure who passed away. “Grandpa Cloud“, in fact, from the English “Nonno Nuvola“, was the way Agnese used to jokingly call her grandfather because of his fluffy white hair.

Thirty-five years old, a composer and musician from Salento, Agnese Contini, in life is also a speech therapist, a profession she approached after her school studies because of some voice problems. In 2010 she received her degree in Speech Therapy, from the Catholic University of the Sacred Heart in Rome; she will further refine her studies and skills at the Universities of Pisa and Bologna. In fact, her musical education began since childhood when returning from school, she spent her afternoons listening to her older sister studying piano supported by her grandfather’s old vinyls. At the age of eleven, she began self-taught playing his father’s acoustic guitar; she shaped her musical research and passion with Beatles and Queen records, giving special attention to Brian May’s brilliant and orchestral guitar playing. Subsequently, she began taking classical guitar lessons, studying, at the same time, speech therapy and, therefore, the voice and its pathologies. She specialized in artistic voice, curating and working precisely on her voice; she starts playing again and also begins to compose, discovering herself particularly at ease in the “solo” for acoustic guitar “fingerstyle“. Inspired by the sophistication (also spiritual) of George Harrison’s music, the open tunings used by Nick Drake and Jimmy Page, and the blues, country, and Celtic sounds of John Butler and Steph Strings, she composes thus “Dinamiche di volo“, her first album. Her music becomes, thus, a way to tell about herself and what she lives, defining, through notes, her reflections on the world and society; her playing, ultimately, is a continuous search for new sounds, but, at the same time, a way to communicate with people.

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VIPERA – AUGUST 29th

Thursday, 29th August | 21:30
Corigliano D’Otranto | Castello Volante
Tickets available at the box office

Vipera is the musical project of Caterina Dufì, artist and author whose multidisciplinary practice meets writing, music, performance and figurative art.She is interested in performative action in poetry and sound, using both acoustic and electronic instruments. Research on writing feeds on intersection with the visual arts: the study of sign (copy from life, printing techniques) and material culture proper to these disciplines constitute the tools for a poetics of description in the literary field. December 2023 sees the release of the debut album “Acerbo e divorato,” for Dischi Sotterranei, produced by Niccolò Cruciani. She writes and presents with Eugenia Delbue “L’intrico dei rami di alberi differenti ha svelato due modi distinti per vedere il cielo” an electronic poetic act in two voices composed during the Tagli residency. The work was brought to the stage in 2023 at the opening of the exhibition “Sassifraga” (Marsèll Paradise), for which she made and exhibited copies from life called “Serie di ossidiana”. In 2023 she wrote with Daniele Carcassi “I sassi dell’Elba“, a radio script born as a collection of letters, musical tracks and poetic lyrics. In 2022 she presented in Corigliano d’Otranto the audio-visual installation “Prima di fare fuoco” designed for an octagonal room and composed of field-recordings engraved on ribbons and by painted decoration. In the same year she wrote and presented live “Trafitto” a poetic track for solo voice and electronics. In 2021 she released her first EP, “Tentativo di volo” (Dischi Sotterranei), for which she wrote, directed and performed the countermovie built on the music of the record.

She brings her music live to venues such as Teatro del Parco in Mestre, Germi in Milan, SEI Festival in Corigliano d’Otranto and opening for OWEN, Mike Kinsella’s (American Football) solo project, at Locomotiv Club in Bologna and to the CAP 10100 in Turin.

She supports Maria Antonietta and Carmen Consoli, by playing opening acts at their concerts.

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THOMAS UMBACA – AUGUST 30th

Friday, August 30th | 9:30 PM
Lecce | TBA
Free ticket

The prime mover from which Thomas Umbaca’s musical creative flow moves is the piano, an instrument that had accompanied him from an early age and whose sounds constitute the familiar lexicon that allows him to express his inner visions naturally and spontaneously. Around a microphone and a loop station, voice and percussion converge in a strongly expressive language. Music as lifeblood, then, speaks to an audience without boundaries, reaches deep within, takes you by the hand and transports you into a world of shadows and colors. In his compositions rhythmic instinct and melodic inspiration alternate and compensate, mix and separate seamlessly. Contemporary music that feeds on the present and opens up to the world as we know it. On October 13, 2023, he releases his debut album “Umbaka” on Ponderosa Music Records: a merry-go-round of shadows and light that can turn into a welcoming refuge for anyone who immerses themselves in listening to it as it tells of a humanity we all know.